(Following from previous post)
The connection that Bateson and his collaborators sought to establish, via the concept of the double bind, between metalevel difficulties in communication and pathologies of relationships gained diffusion within large publics as it inspired or got integrated into clinical practice in various currents of psychotherapy in the 1960s and 1970s. Bateson himself, however, eventually came to express impatience and frustration at times with the popularity that the double bind hypothesis had achieved in some psychiatric circles and Euroamerican public culture (e.g. 1972a). This popularity largely eclipsed and passed over in silence that there was another side to his inquiries into paradox and difficulties at the metalevel, and one he considered of much wider import and relevance — indeed, he was to argue in fine that paradoxes of abstraction were central to the evolution of patterns of relationships in ecosystems, and thus to the natural history of forms of life itself. This other part of his analysis is quite relevant, I now want to suggest, for interpreting Yasser’s pick of a text that precisely extols the relationality of ‘kinship’ or ṣilat al-raḥim by means of entangling the reader into difficulties at the metalevel.
One would be misguided to project from Bateson’s elegant account of the (sometime) psychic pathogenicity of double binds a longing for well-ordered, smooth, transparent communication, or to draw from it the conclusion that we would be better off if only people obeyed in their everyday communications the rules of formal logic. Not only, Bateson had to constantly remind his readers, do paradoxes of communication involving contraction and confusion between multiple types of signals pervade ordinary exchanges, and do not usually result in anything regarded as pathological. (In fact, “there is nothing” in double-bind theory, he provocatively told the attendees of a psychiatric congress celebrating its tenth anniversary (1972a: 272), “to determine whether a given individual shall become a clown, a poet, a schizophrenic, or some combination of these”.) Not only were communications entailing uncertainty as to ‘what sort of message a message is’ precisely what make play, humor, art, fantasy, dream, etc. possible, and thus what drove the exploration of relationship and the evolution of new patterns of interaction. Bateson also consistently maintained that if the most acute, painful double binds could drive one into insanity, they also seemed to be straits one had to go through to force oneself or others into “wisdom” or “enlightenment”. The original and best-known text on the double bind thus already contains the early mention — curious, on the face of it, in a psychiatry article — of a Zen master holding a stick over a pupil’s head and declaring: “If you say this stick is real, I will strike you with it. If you say this stick is not real, I will strike you with it. If you don’t say anything, I will strike you with it.” Bateson adds that “the schizophrenic finds himself continually in the same situation as the pupil, but he achieves disorientation rather than enlightenment” (1972: 208, emphasis added).
The reference is to the pedagogy of the koan in the Zen tradition, specifically in the Japanese Rinzai school of Zen. To put it briefly, a koan (lit., ‘public record’) is a case or “problem” that the Zen master presents to a student for her to concentrate her mind upon and resolve (Suzuki 1963). It often — but not always — takes the form of an insurmountable paradox, as in the example given by Bateson, or the demand to “let me hear the sound of one hand clapping.”1 This paradox is to bring the student’s mind into such tension that it suddenly opens onto a different and more expansive state of consciousness, to which the mind could not come left to its own habits of thinking. “When the koan is resolves, it is realized to be a simple and clear statement made from the state of consciousness which it has helped to awaken” (Miura and Fuller Sasaki 1965: xi-xii). In the case mentioned by Bateson, such a resolution on the part of the student could mean (and has meant) grabbing the stick away from the master, breaking it into two, and walking away — not just from the master’s impossible demand to “say something”, but also from wasting her mind in a muddle of metaphysical questions, from the misleading reifications internal to human language, and from obedience itself as the yardstick by which to know how to live one’s life.
Bateson frequently referred over the years to the Zen tradition, usually in discussions of learning and habit.2 His companionship with Zen had a lot to do with the recognition in this tradition that facing up to (rather than avoiding) the double binds that naturally arise in complex forms of life was a necessary pathway to “wisdom” or “enlightenment”. Bateson called this mode of learning through staying with and engaging difficulties at the metalevel Learning III, “in which there is a profound reorganization of character”, as opposed to Learning II, in which we learn and habituate ourselves to the contexts of life presented to us (1972c). He also observed that Learning III was “difficult and rare even among human beings” and that expecting it “of some men and some mammals is sometimes pathogenic”. In Learning II, we learn the contexts of life: we learn, that is, to “punctuate” events into a contextual structure, schemes for putting the information together. We learn, usually through trial and error, that this I am a part of right now is a case or context for, say, being romantic, enacting kinship, or playing fetch. In doing so, we also learn the implicit premises or propositions that govern punctuation, the background assumptions of this or that context of life, and commit them to the unconscious of habit. These implicit and habituated premises can be of various order of generality, from “the soul is separate from the body and can control it” to “a good girl never says ‘yes’” to premises relative to the history of individuals in relationship (“A has a debt towards B”) —, and they primarily make sense under the restricted circumstances of the context of life they underwrite: having absorbed and committed them to habit, I will mold the context of interaction to fit the punctuation of events, the way of putting together the information in front of me, that I previous learned to recognize and participate in. For this reason, they also become self-validating, and this and habituation make them hard to unlearn, however maladaptive they may (and frequently prove to) be under other, or changed, or larger circumstances.
Life (and people, and institutions) presents us with double binds, or with difficulties at the metalevel, when the premises we learned in one context of life prove to be at odds with the premises internal to another, successive or larger context of life: when the premise “it is important to participate in academic conferences for professional development”, for example, is at odds with the premise that “air travel GHG emissions must be reduced urgently for the planet to remain habitable”. The most common inclination in the face of this type of dissonances are attempts to avoid or manage them, in a manner that will entail oscillations, pain as we saw before, and in the end breakdown or disintegration. What seemed to fascinate Bateson in the Zen tradition of the koan is the avoidance of the avoidance of dissonance. The Zen pedagogy of the koan does not aim at managing dissonance. It deliberately organizes confrontations with difficulties at the metalevel as a method for the student to revise or unlearn self-validating, habituated epistemological premises acquired from previously learned contexts of life and, in the end, relevant to them and to them only. For the two koans I mentioned above, the student could come to change her relation to language — come to see that her sense of reality has always been dependent on tropes chopped out of interactive sequences and sedimented in language. Or she could end up learning from the master that obedience or faithfulness to the master will not indicate to her how to live a life like the master’s. In the process, unexamined premises will be thrown open to question and change, there will be a collapsing of what had been previously learned and habituated, and a profound reorganization of one’s contexts of life in the direction of a larger, more encompassing context. For Bateson, at the end of this arduous kind of learning, there could be the revelation of “a simplicity in which hunger leads directly to eating”. There could also be “a world in which personal identity merges into all the processes of relationship in some vast ecology or aesthetics of cosmic interaction” — the power and innocence “to see”, in a Blakean fashion, “the World in a Grain of Sand” (1972c: 306).
Bateson, Gregory. 1972a. “Double Bind, 1969.” In Steps to an Ecology of Mind, 271–79. Chicago: University of Chicago Press.
———. 1972b. Steps to an Ecology of Mind: Collected Essays in Anthropology, Psychiatry, Evolution, and Epistemology. Chicago: University of Chicago Press.
———. 1972c. “The Logical Categories of Learning and Communication.” In Steps to an Ecology of Mind, 279–308. Chicago: University of Chicago Press.
Bateson, Gregory, Don D. Jackson, Jay Haley, and John H. Weakland. 1972. “Toward a Theory of Schizophrenia.” In Steps to an Ecology of Mind: Collected Essays in Anthropology, Psychiatry, Evolution, and Epistemology, 201–27. Chicago: University of Chicago Press.
Bateson, Mary Catherine. 1980. “Six Days of Dying.” CoEvolution Quarterly, no. 28: 4–11.
Miura, Isshu, and Ruth Fuller Sasaki. 1965. The Zen Koan : Its History and Use in Rinzai Zen. New York, NY: Harcourt Brace.
Suzuki, D.T. 1963. “The Koan.” In Zen Buddhism and Psychoanalysis, edited by D.T. Suzuki, Erich Fromm, and Richard De Martino, 43–58. Grove Press.
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See Suzuki (1963: 49) for more examples: “Yeno, the Sixth Patriarch, is reported to have demanded of his questioner: ‘Show me your original face you have before you were born.’ Nangaku Yejo, one of Yeno’s disciples, asked one who wanted to be enlightened, ‘Who is the one who thus comes to me?’ One of the Sung masters wanted to know, ‘Where do we meet after you are dead, cremated, and the ashes are all scattered around?’ Hakuin, a great Zen master of modern Japan, used to raise one of his hands before his followers, demanding, ‘Let me hear the sound of one hand clapping.’ There are in Zen many such impossible demands: ‘Use your spade which is in your empty hands.’ ‘Walk while riding on a donkey.’ ‘Talk without using your tongue.’ ‘Play your stringless lute.’ ‘Stop this drenching rain.’”↩
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See for example 1972b: 153, 301-304, 370, 511. Bateson died on the grounds of the San Francisco Zen Center and his funerals largely followed Buddhist ritual (Bateson 1980).↩